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Joined 1 year ago
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Cake day: July 2nd, 2023

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  • If someone posts a copyright violation on YouTube, YouTube can go free under the safe harbor provisions of the DMCA. (In the US.) YouTube just points a finger at the user and says “it’s their fault”, because the user owns (or claims to own) the content. YouTube is just hosting it.

    I don’t know of any reason to think it’s not the same for written works. User posts them, Reddit hosts them, user still owns them. Like YouTube, the user gives the host a lot of license for that content, so that they can technically copy and transmit it. But ultimately the user owns it. I assume by the time Reddit made the AI deal they probably put in wording to include “selling a copy of the data” to active they want in the TOS.

    Now, determining if the TOS holds up in court is of course trickier. And did they even make us click our permission away again after they added it, it just change something we already clicked? I don’t recall.


  • Step one is more posting. Keep it on people’s feeds. Do that enough and then you reach out to others who were looking for this and know it. Disenchanted Reddit users, like how some Twitter users went to Mastodon. (Mastodon.gamedev.place and PeopleMaking.Games being two off the top of my head.) And Discord servers.

    Try to get enough of a community to keep it visible and alive. That’s the goal at this point.

    Then you try to get the people who are looking for this and don’t know it. Now, this isn’t some giant Silicon Valley investment you expect to blow up. You build in the long-term, based on reputation and access. When people want something new, you have to be there. And when people get annoyed with the status quo, you have to be there.

    As for the day to day, if we get to the point of what we can call a community, I’d like a few themed posts a week. Indies, game-tangential series (YouTube channels or podcasts,) maybe Q&As. At that point it’s really about the attention we can garner as a community, both the numbers and the specific people.

    But let’s be reasonable. That’s several months down the line at best, given my assumption that many of the thousands of subscribers no longer use Lemmy at all. It’ll be an uphill battle. And worst case, if I did nothing, I’m no different than the current moderator. (Not a slam. Just saying.)







  • You’re obviously right. But it’s funny to me; I find it easy to imagine a world where staying independent and hosting your own stuff was seen as cooler. Instead of YouTube and Google Buzz, we ran RSS clients akin to Outlook and Thunderbird. They torrent and seed media we’re subscribed to while we’re at work or class. It’s saved on a home server. We walk in and simply toss it up on our desktop or TV. (Or maybe a mobile client streams from your home server over the Internet or over your home Wi-Fi if you’re at home )

    And if you visited the website instead of YouTube’s recommendations, The creator just adds a few RSS feeds on the backend to pull thumbnails from, of other creators’ sites they enjoy.

    Crazy how easy it is to daydream though, when I’m not the one putting the work in.


  • I’m not arguing that Twitter is a good platform; I left it back in November for Mastodon and I’ve been happy with the switch. And if publishers want to run accounts labeled as “articles by Person A” and “articles on Topic B”, (to essentially make them user-friends feeds, instead of asking newbies to learn how to add RSS,) I think that’s great!

    I’m just saying if a journalist (or any creator really,) is going to be active on social media, that it’s worth to work for the best interest as much as possible. Cultivating their circle on a neutral (between them and their publisher) platform is better for them than working exclusively on a platform owned by their publisher, locking in everything they do socially there. Be that Mastodon, IG, or whatever fits them and their style.