The bigger the cushion, the sweeter the pushin'That's what I saidThe looser the waistband, the deeper the quicksandOr so I have readMy baby fits me like a fl...
Nigel: Yeah, I like it, just been fooling about with it for a few months now, very delicate…
Marty: It’s a, it’s a bit of a departure from the kind of thing you normally play.
Nigel: Yeah, it’s part of a…trilogy really, a musical trilogy I’m doing…
in… D minor, which I always find is really the saddest of all keys
really. I don’t know why, but it makes people weep instantly, you play a…baaaaa…baaaaaa… it’s the horn part.
Marty: It’s very pretty.
Nigel: …baaaa, baaaaa, yeah, just simple lines intertwining, you know very much like, I’m really influenced by Mozart and Bach, It’s sort of in between those, really, it’s like a Mach piece really, it’s…
Marty: What do you call this?
Nigel: Well, this piece is called “Lick My Love Pump”.
Marty: It’s pretty.
Nigel: Yeah, I like it, just been fooling about with it for a few months now, very delicate…
Marty: It’s a, it’s a bit of a departure from the kind of thing you normally play.
Nigel: Yeah, it’s part of a…trilogy really, a musical trilogy I’m doing…
in… D minor, which I always find is really the saddest of all keys
really. I don’t know why, but it makes people weep instantly, you play a…baaaaa…baaaaaa… it’s the horn part.
Marty: It’s very pretty.
Nigel: …baaaa, baaaaa, yeah, just simple lines intertwining, you know very much like, I’m really influenced by Mozart and Bach, It’s sort of in between those, really, it’s like a Mach piece really, it’s…
Marty: What do you call this?
Nigel: Well, this piece is called “Lick My Love Pump”.
Marty: hmm.