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Cake day: March 21st, 2025

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  • Doctor_Satan@lemm.eetoMemes@lemmy.mlSo anyway
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    1 year ago

    He thinks he’s talking to conservatives, playing on their “thin blue line” sympathies. But like every other rank-and-file Democrat, he has failed to read the fucking room. The right-wing in America showed us on January 6th 2021 that their support of law enforcement is purely conditional, and will be revoked the minute they don’t get their way. And the Left? We always hated cops.

    His message reached zero people.



  • I agree with all the other people in this thread mentioning ‘In Time’. It had such a great premise, and I didn’t even hate the execution, but it was mediocre. It was like they went 50% of the way to a flawless execution and just said “fuck it, that’s good enough”. The concept has a lot of elements to explore, like classism, labor exploitation, human rights, even free will to a point… A movie just isn’t the right vehicle for that story. It needs to be a series. Done right, you could explore all that while having an overarching plotline, and still have your weekly subplots and B stories. That would give the story time to fully develop the romantic connection between the poor guy who comes into a bunch of time, and the rich girl who empathizes with him. That romance felt incredibly rushed in the movie, but you could build it up over a whole season in a show.

    I also want to mention another movie that I’m not sure belongs here. It’s not a bad movie, nor do I think the execution was mediocre, but for the life of me I can’t figure out why it didn’t do better. That movie is called ‘Push’, with Chris Evans and Dakota Fanning. I just watched it again the other night, and I freaking love it. The concept isn’t that amazing or original, but the way they present it is great. There isn’t a ton of exposition or world-building. They kinda just drop you in and let you figure it out, and I really like that. Evans and Fanning have great onscreen chemistry, and Djimon Honsou is a perfect bad guy. This is another one where I think it would make a great series, even though I think the movie was done really well. It’s just kind of a perfect mid-budget sci-fi action movie, and we don’t seem to get those anymore.











  • Holy shit man, so much. So so so much. Honestly I’m surprised I survived childhood.

    We used to free climb cliffs. One of my step brothers took a pretty bad fall, about 60 feet down. He cartwheeled and banged against the cliff face, then landed in a sitting position. His right arm was torn open from armpit to elbow, and the bones were sticking out. Compound break. We had to walk him though about 2 miles of desert to get back to civilization and get help. He survived with no other major injuries, but that was a close one.

    I used to go camping out in the desert by myself as a kid. From like 10 to 14 years old. I’d take a bow and arrows with me and just stay out there for a few days with my parents thinking I was spending a few days at a friends house. So much shit could’ve gone wrong, and sometimes it almost did.

    Then there’s the normal kid shit like playing with fire and chemicals, almost blowing ourselves up or burning everything else down.

    People wonder why I never had kids and all I can do is think about all the shit I got up to as a kid. I don’t need that kind of stress.


  • Financial experts are seeing a spike in affluent working Americans looking to resettle in Europe.
    Arielle Tucker is the founder of Connected Financial Planning, a company that helps Americans relocate to Europe.
    Tucker received more than 30 new American clients in the week after Trump’s reelection, a level of interest that’s been sustained throughout the last few months.
    Many of Tucker’s clients are in their mid-30s or early 40s and work in executive roles in tech, pharmaceuticals or finance.

    Yet again, the average working-class person is left behind to suffer the worst effects of the policies that these people largely voted for and now cowardly run from.


  • Under the right director, with the right story, Jared Leto can be absolutely brilliant. There are plenty of examples of this, from ‘Requiem for a Dream’ to ‘Dallas Buyers Club’. Unfortunately, the stars have to align perfectly for him to be anything other than a cringe factory of hammy over-acting. I don’t know who is directing the new Tron, but the odds of them being the right person to pull a good performance out of Leto are not great. I’d like to be wrong, and I hope I am, but probably not. He’s probably going to chew the scenes in the worst way, as he usually does, and be the worst part of the movie, as he usually is.